Turning glitches into art since 2007. Exploring surreal landscapes and vibrant digital worlds.
AERTIME is a digital art practice based in Madison, Wisconsin.
The work focuses on glitch aesthetics, visual distortion, and the relationship between memory and technology. Using techniques like pixel sorting and databending, digital landscapes are transformed into fragmented, dreamlike compositions with a distinct psychedelic, “melty” aesthetic.
The work has been exhibited internationally in curated shows such as Art Basel (Miami, Florida), Design Shanghai (Shanghai, China), FOCUS Art Fair (New York, New York),
Glitch Art Is Dead (Minneapolis, Minnesota), Blue x80 (Paris, France), and BAD GLITCHES ONLY REDUX (Tokyo, Japan).
AERTIME has been featured in publications such as VICE – Creators Project, Tone Madison, Isthmus, L’Officiel Voyage Russia, The Bozho, and Bikerumor.com.
Beyond the gallery space, AERTIME contributes album artwork for international musicians, including house music pioneer Mr. Fingers, as well as Tides From Nebula, Svemirko, Post Child, and others. The practice also extends to custom apparel design for numerous clients, blending digital abstraction with functional design.
Through a body of work that bridges fine art and commercial design, AERTIME explores the aesthetics of error, the emotional residue of digital decay, and the shifting nature of visual perception in a technology-saturated world.